More Colours in Twill

The last few towels flew off the loom, and I pretty much flew by the seat of my pants in deciding what colour combinations to use.

For the fifth towel, I went with one in kelly green and magenta, which is definitely one of my favourites of the whole bunch.  It's really bright and I like how the colours work together.

With the sixth towel, I realized that I was running out of towels to weave, and I wanted to get back to orange, since I had really liked the previous orange one a lot.  Since I had done it with magenta already (and didn't want to do anything too tonally similar like the dark red) I matched it up with the dark purple.  I like this one a lot too.

The other light colour I'd only used once was yellow, and while I toyed with using it against the kelly green or against the orange, I was afraid that they just wouldn't have enough contrast to be visually interesting.  I went with magenta instead, since both of my previous magenta towels turned out so pretty.  In the end, I think it's a bit too similar to the yellow/red combo (until you see them next to each other they look pretty close) but je ne regrette rien.

I had to get them off the loom quickly because I have a time-sensitive project to weave - Handwoven magazine is taking submissions for designs for a new e-book and I wanted to weave up a sample to submit it - but once that is all done, I will hem and wash and iron these towels and show them off as a set.

Can't Stop Won't Stop

After doing the last colourful set of towels, I really wanted to do another set in some different colours, and keep playing with the concept.  I thought it would be fun to do a set in Mardi Gras colours (purple, green, and gold) so chose a couple of shades of each and used a weaving program on the computer to come up with a point twill stripe design that I liked.  In the end, I also added a deep red to help balance out the darks and lights in the design.

Once I had the green summer and winter towels off the loom, I couldn't wait to get started on this warp, since it's so colourful and fun (and the weaving is comparatively mindless.)

My initial plan was to do seven towels in total, with each of the first three towels in one of the three colour groups.  I started with one in Kelly Green and Pistachio.  You can see it at the bottom of the photo.  The two colours are both relatively light, and there wasn't a lot of contrast between the stripes.  It made an overall wash of green over the colours of the whole warp, which I didn't hate, but it wasn't what I was imagining.  I decided to nix my initial plan to follow up with a purple/magenta striped towel and an orange/yellow towel.  I wanted more contrast between the stripes to make the towels more visually interesting.

With that in mind, I did the second towel in orange and magenta stripes.  This one had a lot of visual pop and I was really happy with how it turned out.  The colours have a good amount of contrast and they give the warp colours a lot of variation.  I like how the twill diamonds alternate between columns when the weft stripes alternate between dark/light.  In the green towel, they only show up distinctly in the dark warp stripes, since the greens are both so light.

For the third towel, I stayed with high contrast and did a towel with stripes in Pistachio green and a deep Purple.  Again, I think the contrast makes it much better and I like the green better here.

I went with yellow and deep red stripes for the fourth towel.  It is only subtly different than the previous one, but definitely still pleasing to the eye.

That passes the halfway point for the towels, since there should be a total of seven.  I have a couple of colour combinations planned for the last ones, but to be honest, I'm actually reconsidering doing the yellow/orange combo... and even the purple/magenta...  what do you think?

More of the Green Towels

I finished weaving the green towels a while ago, and now they are all folded up, sitting and waiting for me to hem and wash them.  In the meantime, I thought I might as well share a few more photos that will show each of them in progress, on the loom.

I wanted to change things up with the second towel, so I did this variation in an X patterning.  I like the way the Xs make a lattice to connect the pattern into a more unified design than the little unconnected Os.  If you refer back to my earlier post, you might be able to see the difference in the overall lattice.

For the third towel, I went back to the Os (even without the lattice that connects the design I prefer their roundness to the thornier Xs) but with yet another variation on the design.  This one made lots of little squares and some cool equal-armed crosses.  I really liked the way this one looked, as I was weaving it, and I was almost sorry to come to the end of it.  I think the negative space is interesting, and I look forward to seeing the reverse side, too.

With the fourth towel I finally did some dukagang.  For some reason I always think I won't weave this structure for the sets I make (probably because it is so different from the others and I worry that it will stand out too much) but then I change my mind and do it.  It always ends up my favourite, in the end.  It has a very different look than the others, with a more vertical direction to the whole design, but I felt like it really worked with the sort of medallion shape that this tie-up variation has in it.

Having finished those four, I pulled out the purple pattern weft and started one for myself.  I used the same tie-up variation that I used for the dukagang, but this time using the Os.  I'm not sure I love the purple as much as I thought I would - the green background gets a bit muddied by using this colour for a pattern weft.  It might actually have been better in dukagang, as well, since the colours would be more isolated.  Live and learn.

One of these days I will get around to washing and ironing them and then you can see what a difference finishing makes!

Weaving Green

There are a lot of fun weaving structures in the world, but having tried Summer & Winter once, I have had a strong urge to keep playing with it.

I used another name draft to come up with this pattern, but then one of my weaving reference books reminded me that I can use different tie-ups with the same threading to make lots of variations on the same design.  Since I am on a table loom, I don't actually use tie-ups at all, but rather make the variations line by line, as I am doing the actual weaving.  This really opens up a myriad of possibilities for me, and as such, I decided to make a bit of a longer warp and do five different towels.

I am about halfway through the first one, and really can't wait to see how the rest turn out!

Fire & Water

I started just playing around with different colour combinations, since I have a lot of colours to work with, this year, so I made a scarf with a combination of red/orange/yellow in the warp.  I was going to do the whole weft in a lighter yellow (as you see in the bottom right of the photo) but decided that the light colour was washing out all of the vibrancy of the warp.  I plopped some orange stripes in there, and that helped, so then I switched to some darker paprika stripes and liked that too.  For the darkest colour, I also shrunk the width of the stripe, just to keep things interesting.  I think the way it changes looks pretty cool.

Then I decided to try something with a greenier tone, so I put a couple of pale greens and a yellow in the next warp and wove it with a light blue and a darker blue/green, in an unequal ratio.  The combination of colours makes me think of Aquaman, though I'm sure no kids today would even know who that is.

It's Time to Light the Lights

Two more scarves for the kids:

I was looking at an example of the clasped weft technique in one of my old weaving magazines, a while ago, and had an epiphany, that I could use it to make a cool zig-zag scarf.  It didn't take long to get from there to the idea of a Kermit the Frog scarf, emulating the little green pointy collar he has around his neck.  The technique worked perfectly and was so easy!  Maybe I'll use it again sometime to do something more harlequin-y.

Having done a Kermie scarf, I thought the pink and purple one I followed up with might suit Miss Piggy, since it made me think of her purple opera gloves.  I chose a bunch of colours for evenly spaced stripes in the warp and then did a two-colour stripe for the weft.  It's nicer than this, in person, I just couldn't get the colours right in the photo.

More to come!

The Season for Scarves

So it's that time of year again, where I occupy my weaving loom (Miss Bennet) with a whole series of quick and fun and colourful scarves for donation.  This year I inadvertently started out with a bit of a Disney theme, since my first inspiration was to weave a scarf for all the little girls who want to be Elsa, from Frozen.  I just picked a handful of representative colours and did the warp randomly, and the weft in little stripes of two colours.

Then my next thought was of a recent favourite Disney lady of mine, Merida, from Brave.  I did a tartan-ish design (she's Scottish, so duh) and used the colours of her dress and hair to weave it.  I really love how it turned out, particularly since I was lazy about it and just used two of the colours for weft, when there were so many more in the warp.

My third inspiration was Maleficent, from the recent movie version with Angelina Jolie.  I used a bunch of darker colours in the warp (and again two in stripes in the weft) but this time did an inlay technique with a couple of shades of green (like green misty magic.)  Well, the two shades of green turned out to be a bit too close, since they look pretty much like the same yarn, and the mist might look more like PacMan, but I still think it's really cool how it turned out.

I have another scarf on the loom right now, but am always looking for inspiration, if you have any ideas...

Snowflakes in Red

Every serious crafter knows you'd better have your holiday ducks in a row by the time the leaves start changing, or you'll be caught in a mad panic, come December.

I'm pretty well on top of things this year (it helps that I don't really participate much in exchanging gifts at the holidays) and am just enjoying this cute set of striped towels before I get serious about working on my charity weaving.

Don't you just love 'em?

Celebratory Towels

So it's just another photo-heavy post to show off the completed, washed & dried & ironed towels, because I'm so delighted with how they look, both individually and as a set.

More Twill Towels

For the fourth towel, I changed to a different set of weft colours.  This one had less contrast again, with a blue and black weft.  What a change in tone from the previous three towels!  All the colours are still there, but much more muted.

Then I brought in the brightest colour of them all, the light green, and made the fifth towel with all the contrast, in black and green.

Then I did the last one in green and blue, a little less contrast and tonally more similar.

But wait!  I finished the sixth and final towel only to realize I had tons of warp left on the loom.  When I initially planned out the pattern, I thought the magazine allowed for an unnecessarily long warp, and upon getting to this point in the weaving, I realized that I easily had room for another towel.  My first thought was to use the last of each colour to do a really variegated stripey weft, but I was sort of done with swapping shuttles and winding bobbins.  I couldn't bear to waste such a pretty warp, though, all ready to go.  I decided I'd use some spare 10/2 cotton I had, in white, without any stripes at all.  This made something completely different and a bit unexpected and I really really like it.  The colours are softened a bit, and the blocks look like changing transparencies of glass over the stripes of colours.

Now to finish them up!

A Set of Twill Towels

I don't know if it's just because of the change in the weather, but I got a real case of startitis this week, and began a second pair of socks for gifting, an out-of-the-blue artsy knitting concept, and I really have my eye on a new slouchy hat for fall... maybe some fingerless mitts... not to mention this baby from the new BrooklynTweed collection.

But before I get to any of that, I should catch you up on my weaving.  I did get the skully napkins off the loom (seemed like they took forever) but I haven't gotten to hemming and finishing them yet.  Instead, I got really distracted with these babies, a set of dishtowels using a bit of colour and an irregular twill weave to add interest.

There are six colours in the warp, and I chose two of those for the weft of each towel.

The first towel had a red and pink weft.  The two colours didn't have much contrast, but it still looks quite nice:

Then came a towel with an orange and red weft:

Then one with a pink and orange weft.  It looks quite similar to the last one, again since there isn't much difference between the red and pink, but there is still a different tone to it:

That last shot shows the design most clearly, since it's nice and close.  There are warp stripes in six colours, weft stripes in two, and the overall pattern is an alternating 3:1 and 1:3 twill.  The places where the twill changes is offset from the colour stripe changes, which makes the whole thing much more interesting and gives more colours to the eye.  I can't wait to see how much better they all look, once they're washed and ironed.

Next time I'll show you the other weft combinations!

Little Skulls All in a Row

I decided a while ago that something I need in my life is a set of fancy cloth napkins.  It's all because there was a cool project in a recent issue of Handwoven (Mar/Apr 2014) for some napkins with an allover mini-overshot design, and I really fell in love with them.  Of course I had to change everything about the project to make it more 'me' and thus the skully napkins were born.

For non-weavers, "overshot" is just a type of weaving where you weave a base cloth in plain weave (in this case, grey) while making a design within that fabric with another yarn (in this case, black.) The base cloth holds it all together, while the pattern makes it fancy.

I took this particular design from Bertha Gray Hayes' book of mini overshot designs.  She called this one "Gone With the Wind" but when I look at it, I see stacks and stacks of little skulls, like the catacombs of Paris.

The Big Reveal

Not much more to say about this project - I finished the dukagang towel (but ran out of warp so it's one repeat shorter than the other towels) and had a minor disaster (or two) with the loom right at the end, while weaving the last hem, but it all turned out ok.  I just have to do a bit of loom maintenance and we're good to go.

I was really feeling a hand-sewing vibe, so rather than machine zig-zagging between towels, I hand stitched a blanket stitch at the end of all the hems, and then turned them twice and hand sewed them all down.  They look super tidy and I am really happy with them.

Then a quick toss in the washer and a few minutes in the dryer, followed by a final ironing to dry them out completely...  and they look great!  The threads all tightened up a bit and made the designs much clearer and they look so lovely.

Now for the weaving porn - showing both the light and dark faces that give the fabric its name.  They're all the same... but so different!

Let Me Rock You, Dukagang

And so today I began the final treadling for the Summer & Winter towels - this one is a Swedish weaving design, called dukagang (doo-kah-gong), which leaves columns of colour, as you can see.

The vertical element of this particular treadling is very strong, since both the green and white blocks have a vertical stripe.  I feel like this takes away a bit from the overall radial symmetry of the design, but I still like it a lot, and I can't wait to see the other side, which will be mostly white with the design in green.

This is the fourth and final towel, so hopefully only a few more days and I'll have these ready for the wash and then we can see what they all really look like once they're finished!

Third Treadling

It's funny that, having done that bit of sampling at the beginning, I chose the pattern I liked best for the first towel.  Funny because I actually liked the pattern in the second towel better than the first, once I started weaving it.  It's even funnier that I like the third treadling (which I assumed would be my least favourite of the four) even more than I liked either of the first two.

I'm not sure if it's because the colours are more distinct (due to the different way the little contrast-colour-dots are laid out) or the way everything is tidy little squares, but I have been enjoying this treadling a lot.  The only unfortunate thing is how blurry it looks because of the alternating threads at the edges of the blocks.  Well, to be fair, the other unfortunate thing is that the picture is also just blurry.

A New Treadling

As I mentioned last time, I decided to try a different treadling for each towel, so it's time to show the beginning of the second towel and see if you can spot the difference that the different treadling order makes in the pattern on the cloth.

At the bottom of the photo is the original treadling on the first towel - looks like little white Os on a coloured background - and at the top is the new treadling for the second towel - now it looks like little white Xs on a coloured background, and you can see how the little Xs connect together at their legs to make a design more like a lattice.  Pretty!  You'll have to imagine the back side of the cloth, for now.  It will be a light background with green Xs and Os.

It's fun to start the second towel and see how different it looks, but a bit of a challenge to keep the new treadling straight, when the first one is so ingrained already.

Beginning of Summer (& Winter)

In an attempt to break myself of my recent addiction to knitting nothing but a succession of quick and simple stockingette socks, I decided to start a new weaving project.  It's a set of dish towels in a weaving style called Summer & Winter.  The name is reflective of the light and dark contrasts in the cloth - one side of the towel will have a light pattern on a darker background, and the other side of the towel will have the reverse of the same pattern, this time in dark on a light background.

I did a bit of sampling before I started, since there are a few treadling variations in Summer & Winter.  I elected to use one of the variations on a so-called X-treadling.  The little Xs aren't totally apparent in this design, at the moment, but having done a couple of repeats of this pattern, I'm thinking that maybe I'll do a different treadling for each of the four towels.  Once I do another towel in a different treadling, it may be easier to see the differences that different treadlings make in the cloth.  Or maybe not.

The weave is a bit open right now, under tension on the loom (that's why the coloured spaces look like little green brick walls) but hopefully once it's not under tension and has been washed, the cotton will shrink a smidge and the weave will close up a bit.  Time will tell.

Why Are There So Many Scarves About Rainbows

This is the final scarf of this year's Kindergarten Scarf series, and none to soon, since it's the Zz scarf.  I might have to use the Greek alphabet to name them, next year!

This one is another scarf of leftovers, this time using leftover yarn from my Hue Shift Afghan (in every colour of the rainbow) and a bit of teal from my Opie hat.  You might notice that this scarf is therefore 100% acrylic.  Not my favourite, but certainly practical for a kid.

I used all of the colours (except the violet from the weft) to wind the warp, mostly in random single stripes, with a few doubled.  I had tons of the violet, which is why I chose to use it for the weft, but not quite enough to do the whole weft with it, so I considered a few options for stripes.  In the end, I did a 4:2 ratio, with 4 picks of violet to 2 picks of an alternate colour.  I did wide bands of the colours rather than changing up the alternate colour a lot, mostly because it would leave me with fewer ends to weave in.  With wool it's not so bad, because the ends will felt into the fabric somewhat, but with acrylic, I'm a bit more worried about things working themselves loose, so I figured the fewer ends the better.

I'm really happy with this one - I think it's pretty wild and some kid will love it!

Experiment in Stripes

Another scrappy scarf, this time using the Irelande and Chocolate and Robin's Egg blue from previous scarves, and some Chartreuse Patons Wool with a bit of Peace Fleece in Kamchatka Sea Moss.

I did a warp stripe, but it's almost lost in the twill - I swear the weft was open enough when I was weaving it!  You can see the angle of the twill is pretty much 45 degrees, so I'm not sure why the vertical stripe is so subtle.

What shows up fairly well is the sort of fade I did to change from blue to chartreuse and back again.  I think it really turned out, and makes a cooler transition than just a clean break from one colour to another.

Happy holidays to one and all - I'll be out of town and away from my loom, so the last scarf will have to wait until next weekend!

A Little Bit Hobbit

Changing up to a different sort of colour scheme for this one, I chose some nature-shades for a little hippie kid.  Upon weaving it, I find it very hobbitty.  The vertical element of this scarf really makes me think of trees.  Needless to say, I like it.

More Cascade 220 Wool Heathers, this time it's Chocolate Heather and Irelande Heather.

Another scrappy scarf is up next.